We’re often asked about the best travel camera, but the answer depends on what you plan to do with it. Adventurous travellers might want a rugged action camera; a city break will demand a discreet device that shoots sharp and steady handheld. There’s no one size fits all and that’s why we’ve tested a wide range of travel cameras. In our round-up below, you’ll find everything from premium compacts to mirrorless hybrids – all ranked by our expert team.
After countless hours on the road, we think the best option for most people is the OM System OM-5. Thanks to a Micro Four Thirds sensor, it’s usefully portable. It’s also weatherproof and shoots better images than a smartphone, while offering the flexibility of interchangeable lenses. That said, we know it might not be the right choice for every traveller.
We recommend reading through our whole guide, to get a full picture of the best travel cameras you can buy right now. We’ve reviewed each model in the real world, to see how well it stacks up when shooting on the move. We assess factors such as handling, image stabilization and battery life, as well as image quality and autofocus performance. By listing the positives and negatives of each option, as well as who we think it’s best for, we’ve tried to make it as simple as possible to find your ideal travel camera. If compact size is your number one criteria, it’s also worth checking out our best compact cameras guide.
Timothy Coleman
Tim is TechRadar’s Cameras editor, with over 15 years in the photo video industry and most of those in the world of tech journalism, Tim has developed a deeply technical knowledge and practical experience with all things camera related. Tim notes: “There’s no one-size fits all travel camera, but all of the options recommended here share a few key traits: each is relatively portable, handles well while on the move and is capable of producing impressive holiday photos.”
The quick list
If you don’t have time to read our full list of the best travel cameras, use the summary for a quick overview of to the top options for your needs and budget. If you find one that takes your fancy, use the links to jump to our full write-up.
Best overall
The best travel camera overall
Squeezing a host of features into a compact, weatherproof body that’s compatible with a range of lenses, the OM-5 is the ideal travel camera.
Best compact
The best compact travel camera
If you want a camera that slips in your pocket but has smartphone-beating image quality, then the GR IIIx is well worth a look.
Best design
The best-looking travel camera
Don’t be fooled by its lovely retro looks: the Nikon Z fc is every bit the modern travel camera, with a useful touchscreen and top image quality.
Best action
The best action camera for travel
With superlative stabilization and a useful 8:9 sensor for sharing videos to social, this is the best action camera for capturing intrepid travels.
Best tough
The best tough travel camera
When travels get tough, you need a camera that can keep up – which is where the rugged TG-7 comes into its own, with a hardcore build and simple interface.
Best premium
The best premium compact
With a large sensor, 23mm focal length and small form factor, the X100VI is a powerful tool for street photography on your travels.
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Best small full-frame
The best small full-frame camera
Combining a small form factor with a high-res 61MP sensor and fantastic autofocus, the Sony A7C R is the best full-frame camera for travel photography.
Best hybrid vlogger
The best hybrid for travel vlogging
A capable sensor and automated settings, including a Vlogging mode, make the Fujifilm X-S20 an accessible tool for stills and video on the go.
Best for moving subjects
The best for moving subjects
The compact A6700 uses AI-powered autofocus to reliably snap on to animals, insects, cars and more. The Fuji X-S20 is better for video, though.
Best superzoom bridge
10. Sony Cyber-shot RX100 IV
The best superzoom camera
Even with a 1-inch sensor, the Sony RX10 IV delivers sharp stills and video, with the added versatility of a generous 24-600mm zoom range.
The best travel cameras in 2024
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Below you’ll find full write-ups for each of the best travel cameras in our list. We’ve tested each one extensively, so you can be sure that our recommendations can be trusted.
The best travel camera overall
Buy it if:
✅ You want a robust travel camera: Light enough to travel with but tough enough to deal with bad weather, the OM-5 is a ruggedly dependable camera.
✅ You shoot handheld a lot: The OM-5 has excellent image stabilization for stills, meaning you can cross a tripod off your packing list.
Don’t buy it if:
❌ You want the best image quality: Its Micro Four Thirds sensor is decent enough, but some rivals offer more pixels and better low light performance.
❌ You have large hands: Handling is surprisingly good for a small camera, but the grip is not very deep, especially for those with bigger hands.
The OM-5 is only a relatively minor update of the Olympus OM-D E-M5 Mark III, but its combination of talents make it an ideal travel camera in our book – particularly if you want the flexibility of interchangeable lenses. It shoehorns a lot of features into a compact, weatherproof body that’s compatible with a wealth of equally small lenses. Most of its skills, including excellent in-body image stabilization and computational photography modes, are also designed with travelers and adventurers in mind.
Our tests found that the OM-5 delivers excellent video and stills quality for its size, helped by a stabilization system (good for 6.5-stops of compensation) that gives you a high hit-rate of keepers. We also enjoyed the high-quality feel of the camera’s dials, as well as in-camera software tricks, like Live ND and in-camera focus stacking, which are ideal for macro shots or blurring skies for an ethereal effect. Less good are the fairly average EVF resolution, 4K/30p limit for video and relative limitations of its smaller sensor, but these are all acceptable trade-offs considering this camera’s size and price.
Read our in-depth OM System OM-5 review
The best compact travel camera
Buy it if:
✅ You go on city breaks: It’s small and discreet for city photography, where its poor battery life and less than desirable build quality aren’t so much of an issue.
✅ You want smartphone-beating picture quality: Being a niche camera is the GR IIIx’s strength: its large sensor and sharp lens, together with gorgeous color profiles, make picture taking a joyful experience.
Don’t buy it if:
❌ You want a powerful zoom: The GR IIIx’s lens is fixed, which means it’s sharp but it can’t zoom in on distant action and landmarks.
❌ You shoot video a lot: With a basic video spec of just FHD video and mono audio, the GR IIIx is a photography first camera way behind today’s smartphones for video recording.
If you’d rather a truly pocketable camera with excellent image quality for city breaks over a rugged shooter for outdoorsy adventures, then the Ricoh GR IIIx is one of our top picks. It packs a larger APS-C sensor, the kind you get on much bigger cameras like DSLRs, and a fixed 40mm f/2.8 lens capable of pin sharp photos. It’s a particularly popular camera with street photographers, and one of the few true compact cameras still being manufactured in 2024, thanks to some smartphone-beating features.
You get a handy macro photography mode, clever snap focus setting for preset focus distances, and some lovely color profiles and in-camera photo editing – you might just discover a love for black and white photography with the GR IIIx. The 40mm lens is a versatile focal length for every day photography offering a similar perspective to the portrait lens on your phone, while the Ricoh GR III alternative has a wider 28mm lens and a similar field of view to your smartphone’s main camera.
The GR IIIx isn’t perfect: there’s no built-in flash, battery life is poor, the touchscreen is fixed and it won’t stand up to rigorous treatment. However, you’re making those compromizes to obtain what is the best image quality of any camera this small, and for city breaks its weaknesses aren’t so much of an issue.
Read our in-depth Ricoh GR IIIx review
The best-looking travel camera
Buy it if:
✅ You care about camera design: From the retro dials to the circular viewfinder, the Nikon Z fc channels classic style to fantastic effect.
✅ You like manual exposure control: Dedicated dials for ISO, shutter speed and exposure, complemented by a lens control ring, give excellent manual control.
Don’t buy it if:
❌ You need a wide choice of lenses: There are only a handful of Z-series kit lenses designed for the APS-C format, limiting your options for expansion.
❌ You want a rugged camera: Although it looks like the sturdy FM2, the Z fc isn’t weather-sealed, so it’s not one to take on rainy adventures.
Travel photography is all about capturing memories and Nikon’s Z fc fully embraces the concept of nostalgia: it’s a stunning homage to the 30-year-old Nikon FM2 – complete with retro styling, dimensions and dials. Despite the throwback design, it’s a very modern camera inside, sharing many of its specs with the capable Nikon Z50. While some photographers might wish for a full-frame sensor, the Z fc’s APS-C number does a stellar job of capturing stills and 4K video, aided by reliable tracking autofocus. Our tests found that its 20.9MP sensor had an excellent handle on noise, especially under ISO 800, while dynamic range was impressive.
Its vari-angle touchscreen is also a brilliant addition, making it easy to frame travel selfies – or folding away completely for a leather-back look that lets you pretend it’s the Eighties. The Nikon Z fc isn’t as sturdy as the camera that inspired it (there’s no weatherproofing, for example), but it’s still a beautifully unique camera for casual use. And with dedicated dials for ISO, shutter speed and exposure, plus a customizable lens ring, it’s also an easy one to control on the go.
Read our in-depth Nikon Z fc review
The best action camera for travel
Buy it if:
✅ You want a rugged travel camera: Waterproof down to 10m, the GoPro Hero 12 Black is a great choice for capturing action-packed travels.
✅ You plan to share on social: The 8:7 aspect ratio of its sensor gives you lots of flexibility to crop footage for social, including vertical videos.
Don’t buy it if:
❌ You plan to shoot in low light: Its 1/1.9in sensor shoots sharp footage, but it still struggles with noise handling in lower lighting conditions.
❌ You want a hybrid for stills: While the sensor can shoot 27MP stills, you’ll get a better photography experience from a standard alternative.
If you’re looking for a high resolution action camera for your travels that’s as comfortable shooting smooth videos as it is crisp photos, then the GoPro Hero 12 Black tops the bill. It was an underwhelming update of the Hero 11 Black, but that’s not necessarily a bad thing because that camera was already highly capable. There’s the same 1/1.9in sensor with versatile 8:9 aspect ratio – you can reframe footage for different social channels without sacrificing quality, and its max resolution of 5.3K/60p beats the DJI Osmo Action 4. You can capture dramatic TimeWarps at the full 5.3K resolution, shoot photo sequences as a rapid 30fps, and pull 24.7MP stills from 5.3K video.
Design-wise, there’s no change to the Hero 11 Black, the two rugged models are physically identical and come with a large Enduro battery as standard, giving more time between recharges on the road. The same interface lets you tweak the user experience, with ‘Easy’ and ‘Pro’ modes to suit your skill level. Superior Horizon Lock and HyperSmooth 5.0 smarts do a remarkable job of stabilizing handheld video. Minor updates from the Hero 11 Black are mainly for pros, including flat Log color profiles, 10-bit video, and multi-channel audio capabilities. For most people however, there’s little reason to upgrade or to pick the Hero 12 Black over its predecessor which could save you a little money.
Read our in-depth hands-on GoPro Hero 12 Black review
The best tough travel camera
Buy it if:
✅ You want a hardcore camera: With a case that’s waterproof, shockproof and freezeproof, the OM System Tough TG-7 is built to take a beating.
✅ You like a simple interface: Premium features include RAW shooting and 4K video, but the camera itself is easy to operate, even in tricky conditions.
Don’t buy it if:
❌ You want the best image quality: Results from the 1/2.3in sensor are fine, but the TG-7 tends to overexpose, and detail is lost at the telephoto end.
❌ You like using a viewfinder: The Tough TG-7 doesn’t have a viewfinder, and the 3-inch LCD screen has limited visibility in bright sunlight.
Tough cameras like the TG-6 are freeze-proof, shockproof and waterproof and can therefore be used in scenarios that you simply wouldn’t consider with your phone or expensive camera, and for that reason the TG-7 is still one of the best travel cameras you can buy. Its industrial design feels reassuringly rugged, while large buttons make it convenient to operate beneath the waves or while wearing gloves, plus its 3-inch LCD display offers decent visibility in most conditions.
We found image quality to be reasonable for a camera with a 1/2.3-inch sensor, with nice, rich colors – although there was a tendency to overexpose and blow out highlights. An equivalent zoom range of 25-100mm is fair, plus the inclusion of 4K video and raw shooting enhance flexibility. Its image quality might not match your phone for regular photos, but the TG-7 will allow you to be capturing extreme travel memories when you otherwise couldn’t, plus there’s a range of useful accessories such as a ring light for close up photography.
Read our in-depth OM System Tough TG-7 review
The best premium compact
Buy it if:
✅ You’re exploring the city: With a fixed 23mm f/2 lens, Fujifilm’s best autofocus, tilt screen and hybrid viewfinder, the X100V is a fantastic choice for street photography.
✅ You want a premium camera: From its retro design to its metal body, the X100V feels well-made and looks the business.
Don’t buy it if:
❌ You don’t want a fixed focal length: The 23mm lens is fantastic, but some users will find it limiting, especially if you value the ability to zoom.
❌ You’re on a tight budget: The X100VI is a popular but niche premium camera, and its increased price will put it out of budget for many.
We’d class the Fujifilm X100VI as a niche premium compact camera, but the range is more popular than ever. The sixth-generation model keeps all that users have grown to love about the X100 series: sharp fixed lens, large sensor, retro design, and unique hybrid viewfinder. But it also builds on the X100V with a higher-resolution 40MP sensor and in-body image stabilization. The result is a significantly more versatile camera, for example the digital teleconverter can crop into the full image for 50mm (at 20MP) and 70mm (at 10MP) focal length looks, while stablization lets you shoot slower shutter speeds in low light.
Other key improvements over the X100V include more detailed 6K video and Fujifilm’s best-ever autofocus that includes advanced subject detection for photo and video. You can rely on the X100VI as a discreet everyday camera to document the world around, especially your travels, and it comes with 20 film simulation color profiles inspired by actual Fujifilm 35mm film that you can customize with recipes to develop your own style.
Read our in-depth Fujifilm X100VI review
The best small full-frame camera
Buy it if:
✅ You want the sharpest stills: With a 61MP full-frame sensor, you won’t get sharper travel snaps from any other camera in this list.
✅ You want a small, powerful camera: Despite the full-frame sensor inside, the A7C R is very compact and fits neatly in the hand.
Don’t buy it if:
❌ You value good handling: The small design has drawbacks, including a compromised viewfinder and absent AF joystick.
❌ You plan to use big lenses: Its compact proportions mean the Sony A7C R is mismatched with larger telephoto lenses.
By combining a small, travel-friendly form factor with a 61MP full frame sensor and fantastic autofocus, Sony has created arguably the ultimate travel camera. Successor to the Sony A7C – already one of our favorite travel photography tools – and announced alongside the A7C II, the A7C R fits nicely in the hand, while a flip screen and new dials offer welcome control.
Equipped with Sony’s top-grade autofocus and AI-powered subject tracking, the A7C R can cleverly and reliably track a broad range of subjects. You won’t find a better full frame sensor, either: borrowed from the A7R V, it captures stunning, pin-sharp stills in all conditions. Cropping potential is vast, and video footage is decent too.
There are trade-offs, though. In testing, we found that the A7C R’s compact proportions come with handling compromises, especially compared to the traditional design of the A7R V. The viewfinder feels small and fiddly, and we wish Sony had included an AF joystick. It’s also not a camera to pair with large telephoto lenses. But the real kicker is the cost: it’s significantly more expensive than the A7C II. That premium means it’s only a camera to consider if you need absolutely the best possible image quality on your travels.
Read our in-depth Sony A7C R review
The best hybrid for travel vlogging
Buy it if:
✅ You value longevity: The X-S20 has double the battery life of the X-S10, making it a great choice for long days of travel photography.
✅ You shoot video, too: Capturing sharp 26MP stills and 6K/30p open gate video, the Fujifilm X-S20 is a true mirrorless hybrid.
Don’t buy it if:
❌ You need weather proofing: Build quality of the X-S20 is good, but you’re better off with the Sony A6700 if you need a weatherproof camera.
❌ You have a limited budget: Its additional features come at the cost of a steep price hike compared to the Fujifilm X-S10, which makes it a harder sell.
Channelling everything we liked about the X-S10 – including a compact, well-balanced body – the Fujifilm X-S20 cements its position as a fantastic mirrorless cameras for travel. It handles comfortably, with simplified dials making it accessible for beginners. In testing, we found new novice-friendly features – such as a dedicated Vlogging mode – also make the X-S20 a forgiving camera for touring first-timers.
The X-S20 is blessed with a proven shooting system, utilising the same 26.1MP sensor as the X-S10 and X-T4 to produce quality stills. It also eases the way for beginners with an automatic scene detection mode, which harnesses the power of Fuji’s latest X-Processor 5 to reliably choose the correct settings. From our first impressions, it works better than the automatic subject tracking, which was a little hit and miss.
With 6K/30p 4:2:2 10-bit internal video recording also on offer, plus in-body image stabilization that worked well in testing, the Fujifilm X-S20 is a solid option for content creators on the move. The lack of weather-sealing will discourage adventurous travellers, while the price tag means it isn’t one to leave in an unattended bag. But at just 26g heavier than its predecessor, the X-S20 is a very capable all-rounder for travel.
Read our in-depth Fujifilm X-S20 review
Best for moving subjects
Buy it if:
✅ You want a capable travel hybrid: A sharp APS-C sensor, five-axis stabilization and AI autofocus make the A6700 a great all-rounder to take on the road.
✅ You like to get hands-on: A more ergonomic grip and lots of direct-access buttons make the A6700 a nice camera to handle and use.
Don’t buy it if:
❌ You shoot mostly video: The A6700 can record sharp video, but there’s a heavy 1.6x crop on 4K/120p slow-mo and Active SteadyShot stabilization isn’t the best.
❌ You like simple menus: The interface on the A6700 has quite a learning curve, and it can be tricky to navigate when shooting out and about.
It’s a close-run thing between the Sony A6700 and the Fujifilm X-S20 above, but if you shoot a lot of moving subjects then the Sony should be your choice. Like the Fuji, it has a 26MP APS-C sensor and comes in a compact, travel-friendly form. And like the Fuji, it’s a genuine hybrid, offering decent video options to go with its stills prowess. But there are some key differences.
First, the good: the A6700 has the same AI-powered chipset as the far more expensive Sony A7R V, and this helps it deliver incredible subject tracking; seriously, this camera will lock on to humans, animals, insects, cars, trains, aircraft and more, then follow them unerringly around the frame. However, its video chops aren’t as impressive as those of the Fuji. 4K 120p slow-mo footage is subjected to a heavy 1.6x crop, while the five-axis stabilization doesn’t work as well when filming as it does when shooting stills. The complex menu system also leaves something to be desired.
Still, it handles well, has a great battery and would make an excellent all-rounder for your next trip – so long as you’re slightly more focused on images than video.
Read our in-depth Sony A6700 review
The best superzoom camera
Buy it if:
✅ You like to zoom in: With a sharp, fast 24-600mm, the RX100 IV offers fantastic versatility to capture a range of subjects on your travels.
✅ You want an all-in-one option: The RX100 IV is a high-end bridge camera with a big zoom range, high-quality EVF and capable AF system.
Don’t buy it if:
❌ You want a small camera: While it ticks most of the boxes for travel photography, the RX100 IV is bigger and heavier than many rivals.
❌ You like a slick touchscreen: Its tilting touchscreen is a useful addition, but you can’t use it to navigate menus or swipe through images.
In terms of offering something for everybody, the RX10 IV ticks a lot of boxes. It’s like having a bag full of lenses, but with the benefit of never having to change them. There’s a very long zoom (going all the way from 24-600mm), while the maximum aperture is pretty wide throughout the lens.
The RX10 IV’s sensor might not be as a large as the ones you’ll find on a mirrorless camera or DSLR, but Sony’s 20.1MP one-inch chip proved itself to be very capable in our tests. Noise was well-controlled, and you’d have no problem making an A3 print from one of its files (particularly if you shoot at under ISO 800).
You also get 24fps shooting, cracking 4K video quality and handling to rival a DSLR. The major downside? The high price – if your budget is tighter, don’t forget about this camera’s predecessor, the RX10 III.
Read our in-depth Sony Cyber-shot RX10 IV review
How to choose the best travel camera for you
How to choose
Picking the right travel camera can be trickier than finding affordable flights. You’ll want a shooting tool that’s compact enough to conveniently carry on your travels, yet still capable of capturing sharp stills and stable video of your jet-setting adventures.
There are a few key things to keep in mind when choosing your ideal travel camera. Among the most important is size. While pocketable compacts offer convenience, the quality of your travel snaps will be boosted by the bigger sensors of larger mirrorless models.
If your adventures are likely to involve going off the beaten track, it’s worth considering a travel camera with rugged credentials. This could be one of the best action cameras, such as the GoPro Hero 11 Black – perfect if you plan to shoot quick, slick travel clips. Or it could be a sturdy compact such as the Olympic TG-6, which is one of the best waterproof cameras.
It’s also worth thinking about what subjects you might be shooting on your trip. A long zoom range will be handy on safari, while something light and fast is better for capturing street snaps on a city break. Travel compacts, such as the Panasonic Lumix ZS200 / TZ200, usually use a zoom lens to cover a range of shooting scenarios. Interchangeable lens cameras like the Fujifilm X-T30 II can similarly offer the flexibility of both worlds, but only if you’re happy to travel with extra barrels in your backpack.
Which type of camera is best for traveling?
Travel cameras come in a range of shapes and sizes. Which style is best for you will depend on how you like to travel, what you like to shoot and how much gear you’re willing to cart around.
Travel zoom compacts such as the Panasonic Lumix ZS200 / TZ200 are pocket friendly, yet offer a broad scope for capturing a range of subjects. Thanks to generous zoom ranges, they give you the opportunity to get close to the action, or to shoot wide. The trade-off for having all of this flexibility in a compact body is generally a smaller sensor, which is less useful for shooting in low light.
If you’d like neat proportions but don’t need the versatility of a zoom lens, premium compact cameras could be worth considering. Models such as the Fujifilm X100V sacrifice zoom range in favour of larger sensors that are better at gathering light – usually a one-inch or, in the case of the X100V, an APS-C chip.
Between compacts and mirrorless cameras is where you’ll find bridge cameras. Bulkier than a standard compact, they offer more comfortable handling and a large zoom range, but without the need to carry different lenses. New bridge cameras are increasingly rare, but the Sony Cyber-shot RX10 IV remains a great example.
If you don’t mind traveling with multiple lenses, many of the best mirrorless cameras have been specifically designed with travel in mind. In the case of models like the OM System OM-5, that means a portable, weatherproof body, useful image stabilization for shooting on the move, plus a versatile Micro Four Thirds sensor that balances size and performance. And with lots of different lenses to choose from, you can pack different optics depending on the type of trip you’re taking – or opt for a reliable all-round option.
Is a DSLR or mirrorless camera better for travel photography?
When it comes to travel photography, most photographers look for a balance between portability and performance. If this is the combination you’re after, mirrorless cameras will almost aways have the edge over their DSLR rivals. Mirrorless models are generally smaller and lighter than DSLRs, making them easier to wield and travel with.
Despite their more compact proportions, many of the best mirrorless travel cameras can also match or outclass DSLR cameras when it comes to image quality, as well as autofocus abilities and video features. This makes them versatile tools for shooting on the move, especially if you choose a model with in-body image stabilization for sharp handheld results. If you pick a mirrorless camera with an established lens mount system, you’ll also find no shortage of glass to pack for your trip.
That said, there are reasons why you might still want to consider a DSLR camera for travel. Some photographers prefer the chunkier ergonomic grip for which the DSLR format is famous, especially if they plan on shooting for hours on end. The best DSLR cameras also offer superlative battery life, which can be useful if your travel plans include days away from electricity.
Budget might also be a factor, especially if you’re concerned about taking an expensive camera on your travels. Older DSLR cameras can offer great value, as can second-hand mirrorless models. It’s also worth looking at our round-up of the best cheap cameras, which includes some options that are a good fit for travel photography.
How we test travel cameras
Buying a camera these days is a big investment, and travel cameras are no different – so every camera in this guide has been tested extensively by us. For travel cameras in particular, real-world tests are the most revealing way to understand a camera’s performance and character, so we focus heavily on those, along with standardized tests for factors like ISO performance.
To start with, we look at the camera’s design, handling and controls to get a sense of how suitable it is for life on the road, and any particular features that might be particularly useful for globe-trotters. When we take it out on a shoot, we’ll use it both handheld and on a tripod to get a sense of where its strengths lie, and test its startup speed.
When it comes to performance, we use a formatted SD card and shoot in both raw and JPEG (if available). For burst shooting tests, we dial in our regular test settings (1/250 sec, ISO 200, continuous AF) and shoot a series of frames in front of a stopwatch to see if it lives up to its claimed speeds. We’ll also look at how quickly the buffers clears and repeat the test for both raw and JPEG files.
In various lighting conditions, we also test the camera’s different autofocus modes (including Face and Eye AF) in single point, area and continuous modes. We also shoot a range of photos of different styles (portrait, landscape, low light, macro/close-up) in raw and JPEG to get a sense of metering and its sensor’s ability to handle noise and resolve fine detail.
If the camera’s raw files are supported by Adobe Camera Raw, we’ll also process some test images to see how we can push areas like shadow recovery. And we’ll also test its ISO performance across the whole range to get a sense of the levels we’d be happy to push the camera to.
Battery life is tested in a real-world fashion, as we use the camera over the course of the day with the screen set to the default settings. Once the battery has reached zero, we’ll then count the number of shots to see how it compares to the camera’s CIPA rating. Finally, we test the camera’s video skills by shooting some test footage at different frame-rates and resolutions, along with its companion app.
We then take everything we’ve learned about the camera and factor in its price to get a sense of the value-for-money it offers, before reaching our final verdict.